![]() “He felt that the more real the film looked, the more you would believe it when the memories melted into reality. “Starting off, he wanted to shoot the entire movie in practical locations, and he would have preferred me to shoot everything in available light,” says Kuras. ![]() The cinematographer soon discovered just how challenging it would be to marry the two halves of Gondry’s vision. Kuras, whose own work often strikes a balance between raw and stylized imagery (notably on Summer of Sam see AC June ’99) proved a perfect match. With its slippery shifts between reality and distorted memories, Eternal Sunshine required a look that could blend location shoot authenticity with unpredictable flashes of whimsy. However, Gondry was eager to depart from the hermetic, studio-bound experience he’d had on a previous Kaufman project, Human Nature. The film’s director of photography, Ellen Kuras, ASC, notes that director Michel Gondry, whose acclaimed music videos “often deal with the morphing of time and space,” was ideally suited to visualize a story whose primary setting is the boundless realm of its protagonist’s memory. Some images may be additional or alternate. This article originally appeared in AC, April 2004. But when Joel accidentally becomes lucid during the procedure and begins to surreally re-experience all of his vivid moments with Clementine, he realizes he has made a grievous mistake, and struggles to mentally preserve the remaining details of his bittersweet love affair. ![]() Providing this dubious treatment is Lacuna Inc., whose funky young technicians identify and delete their clients’ troublesome recollections. Thus, it might be surprising to some that his latest tale, Eternal Sunshine of the Spotless Mind, follows the universally familiar romantic pattern of “boy meets girl, boy loses girl” - that is, until the point in the story where “boy arranges to have all memory of girl erased.”Įternal Sunshine tells the tragicomic story of Joel (Jim Carrey) and Clementine (Kate Winslet), a loving yet hopelessly mismatched couple who, after breaking up, decide to have their painful memories of each other permanently removed. The plots of screenwriter Charlie Kaufman’s bizarre movies ( Being John Malkovich, Adaptation) have always defied easy description.
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